CINEFILER

Karl Freund

Born
January 16, 1890
Died
May 3, 1969
​From Wikipedia, the free encyclopedia.   Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Academy Awards
Best Cinematography
Known For
Metropolis
(1927)
Director of Photography and Camera Operator
Dracula
(1931)
Director of Photography
All Quiet on the Western Front
(1930)
Director of Photography
Key Largo
(1948)
Director of Photography
Pride and Prejudice
(1940)
Director of Photography
Undercurrent
(1946)
Director of Photography
Camille
(1936)
Director of Photography
A Guy Named Joe
(1943)
Director of Photography
The Last Laugh
(1924)
Director of Photography
Murders in the Rue Morgue
(1932)
Director of Photography
Three Comrades
(1938)
Director of Photography
The Golem: How He Came into the World
(1920)
Director of Photography
Golden Boy
(1939)
Director of Photography
The Great Ziegfeld
(1936)
Director of Photography
Without Love
(1945)
Director of Photography
The Thin Man Goes Home
(1944)
Director of Photography
Full Filmography
Camera
Poor Mother
(1912)
Director of Photography
The Suffragette
(1913)
Director of Photography
The Film Prima Donna
(1913)
Director of Photography
Zapata's Gang
(1914)
Director of Photography
Little Angel
(1914)
Director of Photography
A Venetian Night
(1914)
Director of Photography
The Hound of the Baskervilles
(1914)
Director of Photography
Little Angel's Wedding
(1916)
Camera Operator
The Robber Bride
(1916)
Director of Photography
Frau Eva
(1916)
Director of Photography
Das wandernde Licht
(1916)
Director of Photography
The Man in the Mirror
(1916)
Director of Photography
Bummelstudenten
(1916)
Director of Photography
White Roses
(1916)
Director of Photography
The Giant's Fist
(1917)
Director of Photography
Der Liebesbrief der Königin
(1917)
Director of Photography
Die Claudi vom Geiserhof
(1917)
Director of Photography
Die Ehe der Luise Rohrbach
(1917)
Director of Photography
Christa Hartungen
(1917)
Director of Photography
Gefangene Seele
(1917)
Director of Photography
Die Dame, der Teufel und die Probiermamsell
(1918)
Director of Photography
Die blaue Laterne
(1918)
Director of Photography
Countess Kitchenmaid
(1918)
Director of Photography
Auf Probe gestellt
(1918)
Director of Photography
Das Maskenfest des Lebens
(1918)
Director of Photography
Das Geschlecht derer von Ringwall
(1918)
Director of Photography
Die Heimkehr des Odysseus
(1918)
Director of Photography
Agnes Arnau und ihre drei Freier
(1918)
Director of Photography
Die Arche. 2. Teil: Die letzten Menschen
(1919)
Director of Photography
The Arc
(1919)
Director of Photography
Emerald of Death
(1919)
Director of Photography
Intoxication
(1919)
Director of Photography
The Spiders: Part 1 - The Golden Sea
(1919)
Director of Photography
Augen
(1919)
Camera Department Manager
The Golem: How He Came into the World
(1920)
Director of Photography
The Head of Janus
(1920)
Director of Photography
The Spiders: Part 2 - The Diamond Ship
(1920)
Director of Photography
Panic in the House of Ardon
(1920)
Director of Photography
The Hunchback and the Dancer
(1920)
Director of Photography
Satanas
(1920)
Director of Photography
Torgus
(1921)
Director of Photography
The Rats
(1921)
Director of Photography
Der verlorene Schatten
(1921)
Director of Photography
The Burning Soil
(1922)
Director of Photography
Lucrezia Borgia
(1922)
Director of Photography
Marizza
(1922)
Director of Photography
Herzog Ferrantes Ende
(1922)
Director of Photography
Das blinde Glück
(1922)
Director of Photography
Driven from Home
(1923)
Director of Photography
Der Tiger des Zirkus Farini
(1923)
Director of Photography
The Last Laugh
(1924)
Director of Photography
The Finances of the Grand Duke
(1924)
Director of Photography
Michael
(1924)
Director of Photography
Variety
(1925)
Director of Photography
Manon Lescaut
(1926)
Director of Photography
Tartuffe
(1926)
Director of Photography
Metropolis
(1927)
Director of Photography and Camera Operator
Berlin: Symphony of a Great City
(1927)
Director of Photography
A Knight in London
(1928)
Director of Photography
Lady Juan
(1928)
Director of Photography
Fräulein Else
(1929)
Director of Photography
Sleeping Partners
(1930)
Director of Photography
The Lottery Bride
(1930)
Director of Photography
All Quiet on the Western Front
(1930)
Director of Photography
The Boudoir Diplomat
(1930)
Director of Photography
Dracula
(1931)
Director of Photography
Up for Murder
(1931)
Director of Photography
Strictly Dishonorable
(1931)
Director of Photography
The Bad Sister
(1931)
Director of Photography
Personal Maid
(1931)
Director of Photography
Murders in the Rue Morgue
(1932)
Director of Photography
Back Street
(1932)
Director of Photography
Afraid to Talk
(1932)
Director of Photography
Air Mail
(1932)
Director of Photography
Scandal for Sale
(1932)
Director of Photography
The Kiss Before the Mirror
(1933)
Director of Photography
Camille
(1936)
Director of Photography
The Great Ziegfeld
(1936)
Director of Photography
Conquest
(1937)
Director of Photography
The Good Earth
(1937)
Director of Photography
Parnell
(1937)
Director of Photography
Letter of Introduction
(1938)
Director of Photography
Port of Seven Seas
(1938)
Director of Photography
Man-Proof
(1938)
Director of Photography
Three Comrades
(1938)
Director of Photography
Golden Boy
(1939)
Director of Photography
Rose of Washington Square
(1939)
Director of Photography
Tail Spin
(1939)
Director of Photography
Balalaika
(1939)
Director of Photography
Barricade
(1939)
Director of Photography
Green Hell
(1940)
Director of Photography
We Who Are Young
(1940)
Director of Photography
Florian
(1940)
Director of Photography
Comrade X
(1940)
Camera Operator
Pride and Prejudice
(1940)
Director of Photography
The Earl of Chicago
(1940)
Director of Photography
Blossoms in the Dust
(1941)
Director of Photography
The Chocolate Soldier
(1941)
Director of Photography
Tortilla Flat
(1942)
Director of Photography
A Yank at Eton
(1942)
Director of Photography
The War Against Mrs. Hadley
(1942)
Director of Photography
The Affairs of Martha
(1942)
Director of Photography
A Guy Named Joe
(1943)
Director of Photography
Cry 'Havoc'
(1943)
Director of Photography
Du Barry was a Lady
(1943)
Director of Photography
The Thin Man Goes Home
(1944)
Director of Photography
The Seventh Cross
(1944)
Director of Photography
Dangerous Partners
(1945)
Director of Photography
Without Love
(1945)
Director of Photography
Undercurrent
(1946)
Director of Photography
Two Smart People
(1946)
Director of Photography
A Letter for Evie
(1946)
Director of Photography
That Hagen Girl
(1947)
Director of Photography
This Time for Keeps
(1947)
Director of Photography
Key Largo
(1948)
Director of Photography
The Decision of Christopher Blake
(1948)
Director of Photography
Wallflower
(1948)
Director of Photography
South of St. Louis
(1949)
Director of Photography
Bright Leaf
(1950)
Director of Photography
Montana
(1950)
Director of Photography
I Love Lucy: The Movie
(1953)
Director of Photography
Acting
Writing
Crew
Production
Directing
Data provided by TMDB