CINEFILER

Angelo Novi

Born
June 9, 1930
Died
May 6, 1997
Angelo Novi (9 June 1930 – 6 May 1997) worked for thirty years as the exclusive photographer with some of the most known Italian film directors of his time, such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini. He studied at the Brera Academy in Milan, and from 1952 on, started to work as a photojournalist. The ability to capture the decisive moment, inspired by idols like Henri Cartier-Bresson and Robert Capa, is an important gist for his photographic style, which later honed in his work as a set photographer. Novi told his own story through the scenic action captured by his photographs. Emphasis on the decisive moment, the contrast of proximity and distance, and the black and whites, are all attributes of Novi's work. With his photographs, Novi has made a comprehensive contribution to the cultural memory of the golden era of the Italian cinema. As a silent observer, he captured the moments at the film sets both behind the scenes and in action, revealing intimate aspects that cannot be found on the screen.
Known For
The Good, the Bad and the Ugly
(1966)
Still Photographer
Once Upon a Time in America
(1984)
Still Photographer
The Conformist
(1970)
Still Photographer
The Last Emperor
(1987)
Still Photographer
Django
(1966)
Still Photographer
Last Tango in Paris
(1972)
Still Photographer
Duck, You Sucker
(1971)
Still Photographer
Stealing Beauty
(1996)
Still Photographer
1900
(1976)
Still Photographer
Theorem
(1968)
Still Photographer
Boot Hill
(1969)
Still Photographer
Mamma Roma
(1962)
Still Photographer
Talcum Powder
(1982)
Still Photographer
Little Buddha
(1993)
Still Photographer
The Sheltering Sky
(1990)
Still Photographer
The Gospel According to Matthew
(1965)
Still Photographer
Data provided by TMDB