CINEFILER

Henri Jeanson

Born
March 6, 1900
Died
November 6, 1970
Henri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics". Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism. He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière. He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks". Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France. His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ... Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
Paris When It Sizzles
(1964)
Story
The Black Tulip
(1964)
Screenplay
Hôtel du Nord
(1938)
Screenplay
Full Filmography
Writing
The Merry Monarch
(1933)
Screenplay
La Dame de chez Maxim's
(1933)
Screenplay
The Girl from Maxim's
(1933)
Writer
Mister Flow
(1936)
Writer
Pépé le Moko
(1937)
Dialogue
The Lie of Nina Petrovna
(1937)
Dialogue
Naples Under the Kiss of Fire
(1937)
Writer
French White Cargo
(1937)
Screenplay
Un carnet de bal
(1937)
Dialogue
The Shanghai Drama
(1938)
Adaptation
Le Patriote
(1938)
Dialogue
Hôtel du Nord
(1938)
Screenplay
Princess Tarakanova
(1938)
Writer
The Curtain Rises
(1938)
Dialogue
L'aventure est au coin de la rue
(1944)
Screenplay
Carmen
(1944)
Dialogue
Angel and Sinner
(1945)
Scenario Writer
A Lover's Return
(1946)
Screenplay
Square of Knaves
(1947)
Dialogue and Writer
The Damned
(1947)
Writer
Carbon Copy
(1947)
Dialogue
The Crowned Fish Tavern
(1947)
Dialogue
Monelle
(1948)
Writer
The Loves of Colette
(1948)
Dialogue
In the Eyes of Memory
(1948)
Writer
Between Eleven and Midnight
(1949)
Dialogue
The Sinners
(1949)
Dialogue
Lost Souvenirs
(1950)
Dialogue and Scenario Writer
Three Sinners
(1950)
Dialogue
Lady Paname
(1950)
Writer
Twelve Hours to Live
(1950)
Screenplay
Bluebeard
(1951)
Dialogue
Savage Triangle
(1951)
Screenplay and Adaptation
Holiday for Henrietta
(1952)
Writer
The Moment of Truth
(1952)
Writer
The Man in My Life
(1952)
Writer
Madame du Barry
(1954)
Adaptation and Writer
Daughters of Destiny
(1954)
Writer
Nana
(1955)
Writer
Nathalie
(1957)
Dialogue
Lovers of Paris
(1957)
Writer
Marie-Octobre
(1959)
Writer
The Cow and I
(1959)
Writer and Dialogue
Guinguette
(1959)
Screenplay
Atomic Agent
(1959)
Writer
It Happened All Night
(1960)
Dialogue and Screenplay
Wasteland
(1960)
Story
Operation Caviar
(1961)
Writer
This Time it Must Be Caviar
(1961)
Writer
Madame
(1961)
Screenplay
Long Live Henry IV... Long Live Love!
(1961)
Writer
Crime Does Not Pay
(1962)
Scenario Writer
The Devil and the Ten Commandments
(1962)
Dialogue
Don't Tempt the Devil
(1963)
Dialogue
The Sword and the Balance
(1963)
Writer
The Black Tulip
(1964)
Screenplay
Paris When It Sizzles
(1964)
Story
Champagne for Savages
(1964)
Writer
Le Majordome
(1965)
Writer
Paris in August
(1966)
Dialogue
The Man in the Buick
(1968)
Dialogue
Directing
Data provided by TMDB