From Wikipedia, the free encyclopedia
Harry Jackson (April 15, 1896 – August 3, 1953) was an American cinematographer.
Jackson was born in Nebraska, and was first employed in Hollywood as a still photographer for Warner Brothers. As a cinematographer he was active through the end of the silent era in 1927, through his death in 1953, shooting about 75 films altogether. He was nominated for the Academy Award for Color Cinematography for his work on 1947's Mother Wore Tights
Known For
Lifeboat
(1944)
Camera Operator
The Band Wagon
(1953)
Director of Photography
Full Filmography
Camera
Three Hours
(1927)
Director of Photography
Lucky Boy
(1929)
Director of Photography
The Voice Within
(1929)
Director of Photography
My Lady's Past
(1929)
Director of Photography
New Orleans
(1929)
Director of Photography
The Costello Case
(1930)
Director of Photography
Get That Girl
(1932)
Director of Photography
Jungle Bride
(1933)
Director of Photography
Piernas de Seda
(1935)
Director of Photography
$10 Raise
(1935)
Director of Photography
Wild and Woolly
(1937)
Director of Photography
The Great Hospital Mystery
(1937)
Director of Photography
Charlie Chan on Broadway
(1937)
Director of Photography
City Girl
(1938)
Director of Photography
Li'l Abner
(1940)
Director of Photography
We Go Fast
(1941)
Director of Photography
To the Shores of Tripoli
(1942)
Director of Photography
Irish Eyes Are Smiling
(1944)
Director of Photography
Lifeboat
(1944)
Camera Operator
Circumstantial Evidence
(1945)
Director of Photography
Wake Up and Dream
(1946)
Director of Photography
Strange Triangle
(1946)
Director of Photography
Mother Wore Tights
(1947)
Director of Photography
Carnival in Costa Rica
(1947)
Director of Photography
When My Baby Smiles at Me
(1948)
Director of Photography
Fury at Furnace Creek
(1948)
Director of Photography
Give My Regards to Broadway
(1948)
Director of Photography
Apartment for Peggy
(1948)
Director of Photography
Dancing in the Dark
(1949)
Director of Photography
Oh, You Beautiful Doll
(1949)
Director of Photography
The Beautiful Blonde from Bashful Bend
(1949)
Director of Photography
Chicken Every Sunday
(1949)
Director of Photography
American Guerrilla in the Philippines
(1950)
Director of Photography
A Ticket to Tomahawk
(1950)
Director of Photography
Three Little Words
(1950)
Director of Photography
Anne of the Indies
(1951)
Director of Photography
Take Care of My Little Girl
(1951)
Director of Photography
Halls of Montezuma
(1951)
Director of Photography
Pony Soldier
(1952)
Director of Photography
Way of a Gaucho
(1952)
Director of Photography
Lydia Bailey
(1952)
Director of Photography
The Kid from Left Field
(1953)
Director of Photography
The Band Wagon
(1953)
Director of Photography
White Witch Doctor
(1953)
Second Unit Director of Photography
Rhapsody
(1954)
Director of Photography
Crew